Additionally, Warp Markers act as boundaries to the Event Transient Markers. To add markers, press control + grabber tool. For dialogue and vocal performances, it’s common for Event Markers to be located at the start of each syllable and one where the last syllable of the vocal phrase ends. These markers notate the highest (loudest) transient peaks in your waveform. Now you will see the Event Transient Markers that Elastic Audio has generated. To begin, we will select the analysis view from the track view selector. Choose the correct Elastic Audio option in the Elastic Audio pop-up selector on the track header (for multiple tracks press option to enable): Analysis and Warping Audio featuring vocals or dialogue works best with the Monophonic algorithm. Percussive tracks with defined transient peaks such as drums or handclaps should use the Rhythmic algorithm. How you elasticize the audio will vary greatly depending on what type of track you are warping. There are five types of Elastic Audio plug-ins to choose from: Polyphonic, Rhythmic, Monophonic, Varispeed, and X-Form (the later features rendered processing only). Pro Tools offers real-time processing for Elastic Audio (displayed as a plug-in) as well as rendered processing for CPU conscious users. Elastic Audioīefore we begin there are a few things to discuss when it comes to warping audio. Whatever your reason for utilizing Elastic Audio, this tutorial focuses on the keyboard symbols, techniques and functions with their relationship to warping techniques in Avid’s Pro Tools. Dialogue editors may warp ADR to the location dialogue attempting to achieve perfect sync.
Music editors may conform Event Markers to a grid, consequently “locking” drums into place and producing “solid” time. The concept of warping audio is the movement of Transient Event Makers in context to the underlying audio in association. Pro Tools’ Elastic Audio features powerful warping and time flexibility algorithms when editing rhythmic parts, dialogue and ADR.
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